Symmetry: In Memories grows through repetition, reflecting upon symmetrical pathways found in memories.
Read MoreShort video documentary clip offering an inspirational glimpse into the creative endeavors and developing legacy of Pilsen-based artist Mario Castillo, one of the leaders of the Latino Mural Movement in late 1960’s Chicago.
Read MoreA short film I directed and edited featuring my husband, Salvatore Córdova, aka Sound Hoarder. Shot at home during Chicago's situation in place.
Read MoreSince the start of the Stay at Home Order I have been creating little animation films in my home art studio with hand-painted papers and a little imagination.
Read MoreCall for participants for a live event happening April 25-26 from 10:00am - 4:00pm and May 2 from 2:00pm - 6:00pm and May 3 from 12:00pm - 6:00pm. Register for more information and Zoom link.
This new documentary project by artist Kirsten Leenaars, structured as a series of video portraits across the US, traces stories of belonging and loneliness. Participants will be part of a recorded Zoom.us event.
Read MoreA lavishly-illustrated romp through Chicago Imagist art: the Second City scene that challenged Pop Art’s status quo in the 1960s, then faded from view.
Read More"Not Quite White: Arabs, Slavs, and the Contours of Contested Whiteness" is a documentary that expands the American conversation on race by zeroing in on whiteness as a constructed social and political category.
Read More"The Balancing Arab" tells the story of Hanan (played by Amira Sabbagh), a politically active Arab American, and Heidi, her Irish American personal fitness trainer (played by Leslie Frame).
Read MoreI've dedicated my time away from Chicago Shakespeare Theatre during the pandemic to create one, one-minute comedy sketch a day that examines & satirizes how this pandemic and its social ramifications are affecting our daily lives.
Read MoreUncle Fun: You're The One is a loving and nostalgia-filled documentary about the late iconic Chicago novelty and toy store Uncle Fun and the man behind it, Ted Frankel. Made by first-time filmmaker Laura Scruggs (mostly with an iPad, partially with a Nikon camera), the film explores how the store began (as well as the store before it, Goodies).
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